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①Dennis O' Driscoll,"An Ear to the Line":Writing and Reading,Stepping Stones:Interviews with Seamus Heaney,New York:Farrar,Straus and Giroux,2008,p.444.后文出自同一著作的引文，将随文在括号内标作“Interviews”和引文出处页码，不再另行作注。 ②Seamus Heaney,The Makings of a Music:Reflections on Wordsworth and Yeats,Preoccupations:Selected Prose 1968-1978,New York:Farrar,Straus and Giroux,1996,p.61.以下将简称为Preoccupations。 ③Seamus Heaney,Learning from Eliot,Finders Keepers:Selected Prose 1971-2001,New York:Farrar,Straus and Giroux,2002,p.38.以下将简称为Finders。 ④Seamus Heaney,District and Circle,New York:Farrar,Straus and Giroux,2006,p.24.文中所有译文，除特别注明外，均为笔者试译。 ⑤Seamus Heaney,Opened Ground：Selected Poems 1966-1996,New York：Farrar,Straus and Giroux，1998，pp.156—165.以下将简称为Opened Ground。 ⑥本句出自吴德安的译文，见希尼《希尼诗文集》，第53页，吴德安等译，北京：作家出版社，2001。笔者有关希尼诗歌的译文不乏受惠于吴德安之处，在此谨致谢意！ ⑦Mutlu Konuk Blasing,Lyric Poetry:The Pain and the Pleasure of Words,Princeton and Oxford:Princeton University Press,2007,p.133. ⑧Walter Pater,The Renaissance,Oxford:Oxford University Press,1998,p.86. ⑨T.S.Eliot,Matthew Arnold,The Use of Poetry and the Use of Criticism,Cambridge,Mass.:Harvard University Press,1933,p.111. ⑩Wallace Stevens,The Noble Rider and the Sound of Words,Collected Poetry and Prose,New York:Library of America,1997,pp.662-663. (11)Wallace Stevens,The Irrational Element in Poetry,Collected Poetry and Prose,New York:Library of America,1997,p.782. (责任编辑：admin) |