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论《手势人生》中的音乐叙事与“他者”政治(5)

http://www.newdu.com 2018-05-23 《外国语言文学》 张磊 参加讨论

    参考文献
    [1]Burgan,M.1986.Heroines at the piano:Women and music in nineteenth-century fiction[J].Victorian Studies 30(1):51-76.
    [2]Carroll,H.2005.Traumatic patriarchy:Reading gendered nationalisms in Chang-Rae Lee's A Gesture Life[J].MFS Modern Fiction Studies 51(3):592-616.
    [3]Cheng,A A.2005.Passing,natural selection,and Love's failure:Ethics of survival from Chang-Rae Lee to Jacques Lacan[J].American Literary History 17(3):553-574.
    [4]Jerng,M C.2006.Recognizing the transracial adoptee:Adoption life stories and Chang-Rae Lee's A Gesture Life[J].Melus 31(2):41-67.
    [5]Kallberg,J.1988.The rhetoric of genre:Chopin's nocturne in G minor[J].19th-Century Music 11(3):238-261.
    [6]Lee,C.2011.Form-giving and the remains of identity in A Gesture Life[J].Journal of Asian American Studies 14(1):95-116.
    [7]Lee,C R.1999.A Gesture Life[M].New York:Riverhead Books.
    [8]Lee,Y O.2009.Transcending ethnicity:Diasporicity in A Gesture Life[J].Journal of Asian American Studies 12(1):65-81.
    [9]Margulis,E H.2007.Silences in music are musical not silent:An exploratory study of context effects on the experience of musical Pauses[J].Music Perception:An Interdisciplinary Journal 24(5):485-506.

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