|
[1] Calin Radford, “How Can We Be Moved by the Fate of Anna Karenina?” in Peter Lamarque and Stein H. Olson eds., Aesthetics and the Philosophy of Art: The Analytic Tradition (Oxford: Blackwell, 2004), Vol.3, p.305. [2] Calin Radford, “How Can We Be Moved by the Fate of Anna Karenina?” p.300. [3] Peter Lamarque, “Fiction”, in Jerrold Levinson ed., The Oxford Hand book of Aesthetics (Oxford: Oxford University Press, 2003), p.386. [4]朱光潜《文艺心理学》，安徽教育出版社1996年版，第53页。 [5] S.T. Coleridge, Biographia Literaria, ed. J. Shawcross (Oxford: The Clarendon Press, 1907), vol.1, p.6. [6]朱光潜《文艺心理学》，安徽教育出版社1996年版，第53页。 [7]亚奈尔关于“虚构的悖论”的争论中的各种观点的概述，见Robert J. Yanal, “The Paradox of Emotion and Fiction”, in Peter Lamarque and Stein H. Olson eds., Aesthetics and the Philosophy of Art: The Analytic Tradition, Vol.3, pp.317—338. [8] Peter McCormick, “Real Fictions”, The Journal of Aesthetics and Art Criticism, 46 (1987), p.263. [9] Kendall L. Walton, Mimesis as Make-Believe (Cambridge: Harvard University Press, 1990), p.196. [10] Kendall L. Walton, Mimesis as Make-Believe, p.245.。 [11] Kendall L. Walton, Mimesis as Make-Believe, p.245, fn. 2. [12] H.O. Mounce, “Art and Real Life”, Philosophy, 55 (1980), p.188.。 [13] Robert J. Yanal, The Paradox of Emotion and Fiction, pp.332—336. [14] John Morreall, “Enjoying Negative Emotions in Fiction”, Philosophy and Literature, 9 (1965), p.100. [15] Peter Lamarque, Fiction, p.388. [16]［美］卡西尔《人论》，甘阳译，上海译文出版社1985年版，第190页。 [17] Michael Polanyi, “The Body-Mind Relation”, in Science, Economics and Philosophy: Selected Papers of Michael Polanyi, Edited with an introduction by R.T. Allen (New Brunswick and London: Transaction Publishers, 1997), pp.313—328. [18] Michael Polanyi, “What is a Painting?” in Science, Economics and Philosophy: Selected Papers of Michael Polanyi, pp.351—358. (责任编辑：admin) |